I always thought that Brazilian music has a unique calming quality. It might be the Portuguese language that flows most elegantly in a song, combined with a very enthusiastic rhythm. Since the Carnival is thousands of miles away from here, every opportunity we’ve got to enjoy the Samba is very special.
Joca Perpignan was born and raised in Brazil, but for more than 20 years he lives and creates in Israel, where he specializes in flavoring everything with Brazilian music and rhythm. He’s involved in many interesting projects, contributing his percussionist skills to many talented local musicians, like Idan Reichel, Mati Caspi, Yoni Rechter and many more.
And now, after he already made one album in Brazil, he launches his new album, called: “Manso Balanco”. This album combines Brazilian music with middle-eastern motives, which Joca absorbed during all the years he performed with local musicians. In “Manso Balanco” Joca collaborates with song writers like the great Samba poet Delcio Carvalho, and South-American musicians like the guitar player Marcelo Nami, Percussionists Juares dos Santos and Rony Iwryn, and local Middle-Eastern musicians as vocalist Din Din Aviv and Palestinian-Israeli Mira Awad. The Album was produced by Joca and his two long time partners – Uri Kleinman and Marc Kakon.
The meaning of the name “Manso Balanco” is smooth movement. I believe this name testify, more than anything, for the good nature of Joca’s character, that plays his music in the same smoothness with which he talks and sing. In the following concerts, Joca intends to place the percussion instruments at the front of the stage, a place usually occupied by strings and keyboards.
Here is a small taste of “Manso Balanco”:
The article in hebrew on YNET
Rimon School of Jazz & Contemporary Music has a very interesting program with the Israeli nonprofit Mental Health Association (Enosh), where selected talented students take lyrics written by mentally ill patients and transform them into wonderful songs. The program is managed by song writer and performer Ariel Horovitz, and it’s called “Hahani Hahacher” (The other me).
This year they asked me to make a video clip for one of their songs. They’ve selected “Moridat HaShlagim” (The one that bring the snow) written by Lauren Milk, composed and performed by Naama Chetrit.
I had a few ideas for making the video clip; one of them was to involve my street artist friend Imaginery Duck to do some time lapse drawings. After conferring with Naama we decided on a script and launched a small scale production. Shahar Ziv and Almog Sella volunteered to help me in the shooting, while the other participants in the program came to play the extras.
For the scenery I chose a ruined boarding school for girls that I discovered during my “Haunted Houses” project. It has a creepy feeling of sadness and death to it, so we played on that notion with the extras playing as the ghosts of past students.
Even though the production was scheduled for the whole day, we shot it on holiday and had only until noon to film it, before all the participants dissolved. I used a Canon 7D and Almog brought her Canon 5D, which helped to gain more footage from a single performance. Since we had very little time, and no electricity in the near area I used only available light, which could be a problem in a day when the clouds play hide and seek with the sun. A good thing is that Almog has a great L series 50mm f/1.4 lens which helped us in the low light environment.
Shahar, who is a very talented editor, took the materials I gathered and assembeled them for the final result, which you are welcome to watch here:
The photos of the behind the scenes were taken by Imaginery Duck, who roamed the area and did some magnificent drawings on the walls: