I had the privilege to document Ros Plazma when he volunteered to paint for the ‘Land of the Little People’ crowd funding campaign. He did a great job in imagining a shot we’ve produced on video half a year later. In this shot the children are standing on top of a well and looking inside. What are they seeing? That is yet to be discovered…
(Ros Plazma painting. February 2014)
(a frame from work in progress ‘Land of the Little People’. July 2014)
(Ros painting video)
A few days ago Ros called me and asked if I would like to come and document a ‘wall painting’ work he is doing. How could I refuse?
Rimon School of Jazz & Contemporary Music has a very interesting program with the Israeli nonprofit Mental Health Association (Enosh), where selected talented students take lyrics written by mentally ill patients and transform them into wonderful songs. The program is managed by song writer and performer Ariel Horovitz, and it’s called “Hahani Hahacher” (The other me).
This year they asked me to make a video clip for one of their songs. They’ve selected “Moridat HaShlagim” (The one that bring the snow) written by Lauren Milk, composed and performed by Naama Chetrit.
I had a few ideas for making the video clip; one of them was to involve my street artist friend Imaginery Duck to do some time lapse drawings. After conferring with Naama we decided on a script and launched a small scale production. Shahar Ziv and Almog Sella volunteered to help me in the shooting, while the other participants in the program came to play the extras.
For the scenery I chose a ruined boarding school for girls that I discovered during my “Haunted Houses” project. It has a creepy feeling of sadness and death to it, so we played on that notion with the extras playing as the ghosts of past students.
Even though the production was scheduled for the whole day, we shot it on holiday and had only until noon to film it, before all the participants dissolved. I used a Canon 7D and Almog brought her Canon 5D, which helped to gain more footage from a single performance. Since we had very little time, and no electricity in the near area I used only available light, which could be a problem in a day when the clouds play hide and seek with the sun. A good thing is that Almog has a great L series 50mm f/1.4 lens which helped us in the low light environment.
Shahar, who is a very talented editor, took the materials I gathered and assembeled them for the final result, which you are welcome to watch here:
The photos of the behind the scenes were taken by Imaginery Duck, who roamed the area and did some magnificent drawings on the walls:
“Magen” Factory was built by the Israel Military Industry in Tel-Aviv at 1950. The factory manufactured weapons as the “Uzi” machine gun and the “Galil” rifle, up unit 1996. During that process a lot of chemical waste was buried in the ground. At 1997 the first signs of the terrible neglect has surfaced, when a ground test results has shown that the whole area is heavily contaminated with dangerous metals and chemicals. The ground water was also contaminated and at least 25 wells had to be closed down.
It took another 15 long years for the government to dig out the contaminated soil and transport it to a special chemical waste facility. But now the damage was too great, and 10 kilometer square of underground water was infected. All the development plans for the area had to be postponed until better results would be found.
The only people that enjoy the current status-qua are a few graffiti artists that turned the empty factory into their own art gallery. Brave urban explorers who ventures into the area can now enjoy 4 floors of the finest graffiti art of disturbing images about destruction and human evil.
Camera and editor: Yaniv Berman
Music: Bernard Herrmann
“Magen” Factory on XNet