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My Photographic Time Tunnel – Zorki 4


My friend and colleague Leonid, an old-school photographer, brought from Russia a magnificent collection of cameras. One item he agreed to sell, was the Zorki4, which he had a few in his stock. Leonid told me a lot about these cameras, and how much he loved them. Totally analogic, the Zorki4 is indeed a work of art, built with precision and ingenuity – could be because it’s a replica of the Leica II. While the Leica is very expensive, the Zorki4 is easy to find and much more affordable. As for the quality – after more than 50 years in use, I was eager to try and shoot with it.

The camera was manufactured in Russia at the late 50th by Krasnogorskiy Mechanicheskiy Zavo. The camera includes a Range-finding mechanism, which means you can handle the focus easily while looking inside the viewfinder. The view is not straight through the lens, since this is not a reflex camera and has no mirror, but you get some kind of double picture you need to combine inside the viewfinder.

The real problem is sensing the scale of the lens. With a rangefinder camera, you need to use a turret viewfinder (this device you see on top of the camera) that comes with 5 different changeable lenses. I used a 35mm Jupiter lens, so every time after focusing, I had to look through the turret viewfinder for fixing the composition. I admit it’s a little bit frustrating going through this process, but after a while you get used to it.

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Another important thing you should notice when handling this mechanic camera, is not to change the shutter speed (4) before cocking the knob of the film position (1). Doing otherwise may damage the delicate mechanism, and I don’t think you’ll find a costumers service to fix it for you.

I was scheduled for reserve duty in July 2011, so I thought it was a good idea to take the Zorki4 for testing in the hot & sunny weather of the southern Gaza strip. Since this camera does not include a light meter, I chose a Fuji 100asa film, and took advantage of the bright daylight of the desert.

Here are the results:

A Viewpoint to Gaza.

Ohad and Oster are making Black Coffee.

Shooting range by the Egyptian border.

Heavy Truck.

That’s me (last on the left) and the gang under a tree. I used the self timer in taking this photo.

On my first vacation from the service, I went with Pazit & Gefen to Tel-Aviv harbor, and took some more photos:

Pazit & Gefen

The Boardwalk with an Eritrean guy inside a rugged ice-cream cone costume. Someday I should make a short documentary on him…

Riding Power Planet.

A sunset over Tel-Aviv Beach.

The wide angle color photos I got with the Zorki4 are very much to my liking – the exposure, the focus etc. I would recommend using a light meter. I used a light meter application I’ve got on my IPhone. Even though the turret viewfinder slows the work a little bit, you can still enjoy working with this camera when street shooting. The camera is small, easy to handle and again, the price is very good (about 50$ on EBay).

Zorki 4 on YouTube:

Zorki 4 Page on Facebook

My Photographic Time Tunnel – Canon AE-1

After 10 years of digital cameras, I felt the urge to go back in time and shot pictures with real film. I can describe in details how much I love the feel of celluloid and raw materials, but I know a lot of you think the same. What I intend to do here is to review a few cameras from the old time, and show you the results I’ve got. I hope it will give you the extra push to search the closet for that old camera you stored back then in the days when it took a few long hours between pushing the button and looking at the final result.

I just finished the first roll of my old/new Canon AE-1. This camera, manufactured between 1976 and 1984 is a great fun and not so difficult to handle. It took me some time to find her a 6V 28-PX battery, which is essential for operating, but once I got it powered up, it was as good as new.

In fact, one of the things that made this camera such a big success in the early 80′ is it’s automatic exposure when using FD Lenses. The rest of the job is been done with a very easy to learn light detector, which indicate which shutter speed is best.

When I were scheduled for a production in Kibbutz Ein-Gedi by the Dead Sea, I took it as an opportunity for some testing. I used FD 50mm 1:1.8 and a FD 75-200mm 1:4.5 lenses, and 200 ASA Kodak film.

Here are the results:

Keren, the dresser, use her IPad with the Judea mountains as backgroung.

Beny, the sound man.

Udi behind the camera.

Dany talks to the camera.

The dead sea is very dense with salt, but nevertheless Dany got a fish by the tail!

And this is me with the fish… No more salt is needed.

Please let me know what you think about the photos…

In conclusion I find this camera surprisingly easy to use and the results are well focused and exposed. The only downside I can find with it, is that the camera requires a 6v battery, which is not so common.

Canon AE-1 Page on Facebook


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