I always thought that Brazilian music has a unique calming quality. It might be the Portuguese language that flows most elegantly in a song, combined with a very enthusiastic rhythm. Since the Carnival is thousands of miles away from here, every opportunity we’ve got to enjoy the Samba is very special.
Joca Perpignan was born and raised in Brazil, but for more than 20 years he lives and creates in Israel, where he specializes in flavoring everything with Brazilian music and rhythm. He’s involved in many interesting projects, contributing his percussionist skills to many talented local musicians, like Idan Reichel, Mati Caspi, Yoni Rechter and many more.
And now, after he already made one album in Brazil, he launches his new album, called: “Manso Balanco”. This album combines Brazilian music with middle-eastern motives, which Joca absorbed during all the years he performed with local musicians. In “Manso Balanco” Joca collaborates with song writers like the great Samba poet Delcio Carvalho, and South-American musicians like the guitar player Marcelo Nami, Percussionists Juares dos Santos and Rony Iwryn, and local Middle-Eastern musicians as vocalist Din Din Aviv and Palestinian-Israeli Mira Awad. The Album was produced by Joca and his two long time partners – Uri Kleinman and Marc Kakon.
The meaning of the name “Manso Balanco” is smooth movement. I believe this name testify, more than anything, for the good nature of Joca’s character, that plays his music in the same smoothness with which he talks and sing. In the following concerts, Joca intends to place the percussion instruments at the front of the stage, a place usually occupied by strings and keyboards.
Here is a small taste of “Manso Balanco”:
The article in hebrew on YNET