My Photographic Time Tunnel – Kiev 4AM

Here I’ve got a sad story about the last roll a camera took before dying in my hands…

It wasn’t a love story of any sort, and when I looked at her for the first time she didn’t leave any impression at all. Leonid told me that in those days (early 70th) he used to shot with his Zorki, but when he got a job with the Russian news company he was given a more professional tool – The Kiev camera. It was a crude beast in comparison to the Zorki, but considered by the craftsmen’s of the era to be a working horse. Since then he had a few Kiev cameras, but they all died on him eventually. “It is possible to fix the camera”, he said, “but it is too complicated operation, getting inside this body stuffed with little parts, and fishing for that torn spring. Better to let her rest in peace. Be glad that she gave you this last roll”.

When working with old cameras you should be very careful; any wrong turn of a button could lead to a disaster. I’m not sure what the turning point with this one was, but when unloading the film it suddenly happened, I couldn’t wind it anymore, and it just kept turning to no end. A sad moment indeed, but I didn’t have any real feeling for this one. It was hard work to shot with, it’s heavy and you have to do the focus from above, which is just hell to get used to. I wasn’t sad about her death, just disappointed…

But then I got the roll back from the lab. Of course the film had many flaws – Flashes of light at the sides, dots and scratches. But still, I just loved the photos. At that moment I felt the sting. I’m not sure I’ll go searching for another Kiev, but I sure will miss this one.

The story of the Kiev cameras is an interesting one. After the Second World War Russia raided German factories for machinery and raw materials. A very prestigious establishment was the Zeiss Company and factories in Dresden, manufactures of the Contax cameras. The Russians transferred it all to Kiev and made it their own. They called the camera by the name of the city that accommodates it. So you can say that the Kiev cameras are actually Contax. About 30 years later they still made these cameras (Kiev 4AM) with very similar specifications, but it wasn’t anything like the early ones from the late 40th (Kiev 2) that were totally German by design and parts.

So what actually the Kiev 4AM had to say for itself?

It’s a rangefinder camera with two parallel rangefinder windows that should be kept clear while you hold the camera. It has a Zeiss/Contax bayonet mount. My Kiev 4AM has an Arsenal Helios-103 53mm lens, f/ 1:1.8 with 0.9m to infinity focal range. The Shutter speed on this camera goes from B, 1/2 up to 1/1000. This Kiev 4AM is from 1980 (Indicated by the two first digits in the serial number), but I’m told that later models has reached a shutter speed of 1/1250. But I haven’t said anything about the nicest part of the Kiev, in my opinion anyway, which is the vertical slat shutter that works like a guillotine – Snaps from the top with a nice click that doesn’t bother the camera when it moves. On the down side you’ve got the weight of the camera – which is about 560g…

Two things you have to know before handling this camera: 1. Winding the film by turning the shutter knob clockwise must be done before changing the shutter speed. 2. At the end of the film, when you want to wind it back, you should find the exact point of the right lower ring, so it’s pushing the film release pin inside the camera. It’s not an easy task, because sometimes the inner lever is too worn to do that. At this point, when I thought I could wind the film back, I got this Kiev 4AM killed…

I had my doubts about this camera from the very first moment. It felt heavy and clumsy in my hands. I loaded it with film and went out for a nice travel with two of my friends (Clarisse from Paris and Marta from Rome), that came to Israel for the first time. We had a wonderful day, walking through the beautiful streets of Tel-Aviv and Jaffa, meeting interesting people, eating good food and taking photos every now and then. While Clarisse and Marta were shooting like crazy with their little digital cameras, I was awkwardly carrying the Kiev, slowly focusing, and clicking with a bitter taste of failure in my mouth.

I took some photos on the weekend in Kibbutz Glil-Yam.

Before I was done with the film, I made some photos at the studios where I work on a show.

 This is Leonid Basin, The owner of the Kiev 4AM

Getting the scanned images from the lab made me take the camera out of the drawer of dead cameras I’ve got in the closet (with the dead bodies of a Canon Canonet and my grandfather’s Canon EX EE) for a second look. I played with the dead knob, reloaded the camera with used film, played with it some more, and… Surprise! The camera came back to life! You just can’t imagine my surprise. I called Leonid and told him about it, and he also couldn’t believe, after seeing it dead with his own eyes. I guess this Kiev is meant to last, and maybe the feel of film inside of her chamber made her want more clicking and more touring.

In the following YouTube episode of “My Photographic Time Tunnel” you can see how beautifully it operates:

Kiev 4AM Page on Facebook

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About Royalrat


11 responses to “My Photographic Time Tunnel – Kiev 4AM

  • TheSecretSarah

    Wow, Nice post, reminds me of my old school Cannon I found on top of a mountain. It’s not dead, it still works, but the batteries it uses are not available where I live anymore. Film is also way to expensive. I miss shooting with a film camera. The possibilities with Digital , are endless, but the thrill of having to get all your settings right, buying the right film and only shooting a few shots, cause you only have 20 – 30 photo’s in a roll of film, so getting angles and composition perfect, and then never knowing until you get the film developed. The anticipation. Its lost with digital SLR! I still shoot from the eye piece and never from the LCD.

    • Royalrat

      Thanks Sarah!
      I agree that using film camera today is a little strange and cost more. I do it because I enjoy the process, the tools and the results. When it’s something you love, nothing else matters…

  • simon

    Great post and you will know from reading mine that this camera is a favourite (if only it had a meter).
    The one you have here is a 4AM too – the black plastic rewind knob tells you this as the 4A was a different design.

    Currently I am on my third Kiev 60 and have fixed a lens permanently onto my 88 plus use my 4AM with a 35mm and 53mm lens and love them all (even if they break and have their own particular character).

    Will now go through the rest of your blog as it looks really good 😉

    • Royalrat

      Thanks Simon!

      How come you love the Kiev so much? What makes it so special for you?

      I’m waiting to read and see more of your Kiev!

      PS you are totally right about the model. It is a Kiev 4AM. Thanks so much for this correction!!!

  • simon

    I think my love affair is with medium format film and I am yet to find a MF camera that I don’t love for one reason or another.

    For the Kiev 60 and 88 the most amazing thing for me is the lens options you can get for them.

    I have a 65/3.5 Mir that is amazing for head shots, an Arsat 80/2.8 for general and on the Kiev 88 I have the most amazing Zodiak 30mm full frame medium format fisheye that is just stunning to both use and look at.

    The 4AM and particularly the lenses are amazingly sharp for such a cheap camera and overall film just rocks

  • clicknroll

    great post! be proud with your film habits! i know the feeling of failure while shooting with a vintage film camera – you are absolutely sure that you messed every shot up, but when the scans are made, you get blown away time after time with the colours and depth.

  • yarglags

    Love the story of the resurrected Kiev. I think it’s a lovely little camera the rangefinder is so bright it’s great fun to use. I have a Jupiter 12 stuck on it wherever I go.
    Mine was giving me some trouble, the shutter was sticking occasionally. Last week my strap broke and it went tumbling along a cobbled street. It seemed to be OK so I continued to use it. It seems the drop did not make it any worse. It didn’t fix the problem either.

  • mycameracabinet

    Nice post! And thanks for sharing photos shot by the Helios, really nice color reproduction…I always want a Russian rangefinder and my favorite is the Zorki 4.

  • Lat

    Very nice photo, please post on http://www.myshutterspace.com, that would be more interesting

  • giovani guerrieri junior

    eu adqueri uma maquina desta e quero vender esta muito bonita vale a pena ver… moro brasil em sao bernardo do campo , sao paulo fone 011.952163785

  • Amir

    I had a similar experience like yours in the sixties. My Russian made camera refused to wind either film or cock the shutter. I found that shutter release button also works as rewind release if you twisted the button and depressed it at the same time ! On later SLRs of Russian origin that was the only rewind lever present and had teeth on the button to help with the function. Perhaps your Kiev has retained a distant memory of this.

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